Celeste Carballo , voz cantante y productora de su próximo cd “Celos” ha generado un material único , de alta calidad con 15 traks registrando un show especial dedicado a las canciones tangueras que ha preferido escuchar en sus giras rockeras , más otros títulos de su autoría .-

Sumando al proyecto  sus dos tangos nuevos; “Tiempo de blues” y “Camino real”, grabados en estudios con la colaboración del mismo grupo de músicos que participan del material en vivo, Franco Polimeni en piano , Paul Dourge en bajo , Juanito Moro en batería y Federico Vazquez en bandoneón + Arreglos de cuerdas escritos y dirigidos por  Alejandro Terán completan el staff .

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Celeste Carballo, lead singer and producer of her next album Celos, came up with an unique material: 15 high class tracks that were registered live during a special show in which she performed songs with a tango flavor, the same songs that she used to listen at during her tours as a rock and roll performer plus other pieces she wrote herself. Two more songs were added to the project: her new tangos “Tiempo De Blues” and “Camino Real”, recorded in a studio by the same musicians that performed the live show. They are Franco Polimeni at the piano, Paul Dourge playing bass, Juanito Moro at the drums and Federico Vázquez at the bandoneon (or tango accordion). Alejandro Terán’s exquisite strings arrangement complete the staff.

The song “Celos”, originally performed by Gotan Project opens a list that includes “Fuimos” and “Tú”, written by the great composer José Dames, “Atril”, an until now unrecorded song by (tango master) Dany Melingo, specially given by him to Celeste; “Más que Amor”, written by Dany Tomas and Celeste Carballo; “Un Tango Desnuda”, the first tango song written by Celeste herself, with Roxana Curras, in a version that stands on its own next to any classic tango recording; “Buenos Aires No Tiene La Culpa”, music by José Colángelo, a musician from the Piazzola generation and lyrics by Celeste Carballo. “Un Amor De Aqueellos” and “Acompañada y Sola”, written by Chico Novarro and performed by Celeste as an homage to the great singer María Graña. The last two songs, “Aprendizaje” and “Qué Suerte Que Viniste” (two classic rock songs from Argentina) show the contact between the bandoneon and the rock leather jacket, rock music and tango style.

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